星象與卦爻:東西方神秘傳統導讀Stars & Hexagrams: A Guide to Eastern and Western Esoteric Traditions

易經卦爻Yijing: Trigrams, Hexagrams and Lines

由陰陽兩種爻畫組成的六十四個卦象,配上簡短古奧的卦爻辭,構成了《易經》(《周易》)的核心。它是儒家「五經」之首,既是一部古老的占筮書,也是中國哲學的重要經典。本頁介紹它的符號結構、文本層次和占筮方法的歷史,並附六十四卦一覽表。Sixty-four hexagrams composed of two kinds of line, yin and yang, together with their brief and archaic hexagram and line statements, form the core of the Yijing (I Ching, Book of Changes; also called the Zhouyi, Changes of Zhou). First of the Confucian “Five Classics”, it is both an ancient divination manual and a major classic of Chinese philosophy. This page introduces its symbolic structure, textual layers and the history of its divination methods, with a table of all sixty-four hexagrams.

本頁目錄 Contents
  1. 《周易》是一本怎樣的書What kind of book is the Zhouyi?
  2. 八卦The eight trigrams
  3. 爻的概念The concept of the line
  4. 六十四卦的結構The structure of the sixty-four hexagrams
  5. 卦辭與爻辭Hexagram and line statements
  6. 占筮方法的歷史History of divination methods
  7. 出土文獻與現代研究Excavated texts and modern research
  8. 六十四卦一覽表Table of the sixty-four hexagrams
  9. 參考資料References

《周易》是一本怎樣的書What Kind of Book Is the Zhouyi?

今本《周易》分為兩部分:The received Zhouyi has two parts:

傳統說法是「伏羲畫八卦,文王重為六十四卦並作卦辭,周公作爻辭,孔子作十翼」,即所謂「人更三聖,世歷三古」。現代學者大多認為經文並非出自一人一時,十翼也不是孔子親撰,而是戰國以來儒家學者陸續寫成的。漢代以後,《易》學分為側重符號與數理的「象數派」和側重義理的「義理派」。前者以漢代京房、孟喜等為代表,後者以魏晉王弼、宋代程頤為代表;南宋朱熹則強調「易本為卜筮而作」,兼重兩者。The traditional account is that “Fuxi drew the eight trigrams, King Wen doubled them into sixty-four hexagrams and wrote the hexagram statements, the Duke of Zhou wrote the line statements, and Confucius wrote the Ten Wings” — the so-called “three sages over three ages of antiquity”. Most modern scholars hold that the Classic was not the work of one person or one time, and that the Ten Wings were not written by Confucius himself but by Confucian scholars from the Warring States onwards. After the Han, Yijing studies divided into the “image and number” school (xiangshu), focusing on symbols and numerology, and the “meaning and principle” school (yili), focusing on philosophical meaning. The former is represented by Jing Fang and Meng Xi of the Han, the latter by Wang Bi of the Wei–Jin and Cheng Yi of the Song; the Southern Song Zhu Xi stressed that “the Changes was originally made for divination” and valued both.

八卦The Eight Trigrams

八卦由三條爻組成,每爻非陰即陽,共 2³ = 8 種組合。據〈說卦傳〉,八卦各有象徵:A trigram consists of three lines, each either yin or yang, giving 2³ = 8 combinations. According to the Shuogua, each trigram has its symbolism:

卦Trigram符號Symbol自然象Natural image屬性(〈說卦〉)Attribute (Shuogua)家庭Family後天方位Later Heaven direction
乾Qian☰天Heaven健Strength父Father西北North-west
坤Kun☷地Earth順Yielding母Mother西南South-west
震Zhen☳雷Thunder動Movement長男Eldest son東East
巽Xun☴風(木)Wind (wood)入Penetration長女Eldest daughter東南South-east
坎Kan☵水Water陷Danger (pit)中男Middle son北North
離Li☲火Fire麗Clinging (brightness)中女Middle daughter南South
艮Gen☶山Mountain止Stillness少男Youngest son東北North-east
兌Dui☱澤Lake (marsh)說(悅)Joy少女Youngest daughter西West

八卦的排列有「先天」與「後天」兩種。後天八卦(又稱文王八卦)方位見於〈說卦傳〉「帝出乎震」一章,也是奇門遁甲、風水所用的方位系統。先天八卦(又稱伏羲八卦,乾南坤北)的圖式則是宋代邵雍等人根據〈說卦傳〉「天地定位」一章整理而成,所謂「伏羲」所作只是傳統說法。There are two arrangements of the eight trigrams, “Former Heaven” and “Later Heaven”. The Later Heaven arrangement (also called King Wen’s arrangement) appears in the Shuogua chapter beginning “The Lord comes forth in Zhen”, and is also the directional system used in Qimen Dunjia and fengshui. The Former Heaven arrangement (also called Fuxi’s arrangement, with Qian in the south and Kun in the north) was systematised by Shao Yong and others in the Song on the basis of the Shuogua chapter beginning “Heaven and Earth establish their positions”; its attribution to Fuxi is only traditional.

爻的概念The Concept of the Line

「爻」是構成卦的基本線條。連續的一畫「⚊」為陽爻,中斷的一畫「⚋」為陰爻。〈繫辭傳〉說:「爻也者,效天下之動者也。」The line (yao) is the basic stroke from which hexagrams are built. An unbroken line “⚊” is a yang line; a broken line “⚋” is a yin line. The Xici says: “The lines are what imitate the movements of all under heaven.”

六十四卦的結構The Structure of the Sixty-Four Hexagrams

兩個八卦上下相疊,得到 8 × 8 = 64 個六爻卦(2⁶ = 64)。下方的稱下卦(內卦),上方的稱上卦(外卦)。例如上卦為坎(水)、下卦為震(雷)的卦名為「屯」,全稱「水雷屯」。Stacking two trigrams one above the other gives 8 × 8 = 64 six-line hexagrams (2⁶ = 64). The bottom one is the lower (inner) trigram and the top one the upper (outer) trigram. For example, the hexagram with Kan (Water) above and Zhen (Thunder) below is named Zhun (“Difficulty at the Beginning”), in full “Water over Thunder, Zhun”.

今本卦序(通稱「文王卦序」)有一個明顯規律:六十四卦兩兩成對,後一卦多為前一卦上下顛倒(稱「覆」或「綜」),若某卦顛倒後不變(如乾、坤、坎、離、頤、大過、中孚、小過),則與其陰陽全反的卦配對(稱「變」或「錯」)。〈序卦傳〉則嘗試以義理解釋卦與卦的先後關係。另外,宋代邵雍有按二進制規律排列的「先天六十四卦次序」;德國哲學家萊布尼茲在 1703 年收到耶穌會士白晉(Joachim Bouvet)從中國寄來的此圖,注意到它與自己的二進制算術相符。The received order (commonly called the “King Wen sequence”) shows a clear pattern: the sixty-four hexagrams form thirty-two pairs, the second of each pair usually being the first turned upside down (called “inversion”, fu or zong); where a hexagram is unchanged when inverted (Qian, Kun, Kan, Li, Yi, Daguo, Zhongfu, Xiaoguo), it is paired with the hexagram whose every line is reversed (called “conversion”, bian or cuo). The Xugua tries to explain the order of the hexagrams in terms of meaning. In addition, Shao Yong of the Song arranged the “Former Heaven sequence of the sixty-four hexagrams” according to a binary pattern; in 1703 the German philosopher Leibniz received this diagram from the Jesuit Joachim Bouvet in China and noted that it matched his own binary arithmetic.

卦辭與爻辭Hexagram and Line Statements

每卦有一段卦辭(又稱彖辭),總論全卦;每爻有一條爻辭,共 64 × 6 = 384 條;乾、坤兩卦另各有一條「用九」「用六」,所以合共 386 條。以乾卦為例:Each hexagram has a hexagram statement (also called the “judgement”, tuanci) summarising the whole; each line has a line statement, 64 × 6 = 384 in all; Qian and Kun each have one extra statement, “using nines” and “using sixes”, making 386 altogether. Taking Qian as an example:

卦爻辭的語言古奧,常用「吉、凶、悔、吝、无咎、利貞」等占斷用語,也夾雜不少可能反映商周歷史的記載(例如「帝乙歸妹」「高宗伐鬼方」)。「元亨利貞」四字,傳統(如〈文言傳〉)解作四種德性,而現代學者如高亨等則多從占筮語言理解,例如把「貞」解作「占問」。The language of the statements is archaic, often using divinatory formulas such as “auspicious, ominous, regret, distress, no blame, beneficial to be steadfast”, and includes a number of passages that may reflect Shang–Zhou history (for example “Di Yi gives his younger sister in marriage” and “Gaozong attacked the Guifang”). The four words yuan heng li zhen were traditionally (as in the Wenyan) interpreted as four virtues, whereas modern scholars such as Gao Heng mostly understand them as divinatory language, for instance reading zhen as “to divine”.

占筮方法的歷史History of Divination Methods

大衍筮法(蓍草法)The Dayan method (yarrow stalks)

最古老而有文獻依據的方法,見於〈繫辭傳上〉:「大衍之數五十,其用四十有九。分而為二以象兩,掛一以象三,揲之以四以象四時,歸奇於扐以象閏……」按這段記載,大意是用五十根蓍草,取出一根不用,餘下四十九根經「分二、掛一、揲四、歸奇」四個步驟為「一變」,三變得出一爻,十八變得出一卦。所得數字為 6、7、8、9 之一。The oldest method with textual support is found in the Xici, part 1: “The number of the Great Expansion is fifty, of which forty-nine are used. They are divided into two to represent the two; one is hung up to represent the three; they are counted off in fours to represent the four seasons; the remainder is put between the fingers to represent the intercalary month…” According to this passage, the gist is that fifty yarrow stalks are used, one is set aside, and the remaining forty-nine go through four operations — dividing in two, hanging one, counting off in fours and returning the remainder — to make “one change”; three changes produce one line and eighteen changes a hexagram. The result is one of the numbers 6, 7, 8 or 9.

〈繫辭傳〉原文較簡略,後世的具體操作主要依據朱熹《周易本義》前附的〈筮儀〉和《易學啟蒙》的整理。用此法得到各數的概率並不相等:老陰(6)約 1/16,少陽(7)約 5/16,少陰(8)約 7/16,老陽(9)約 3/16。The Xici text is rather terse; later concrete practice relied mainly on the “Divination Procedure” prefaced to Zhu Xi’s Zhouyi benyi (Original Meaning of the Zhouyi) and his systematisation in the Yixue qimeng (Introduction to the Study of the Changes). The probabilities of the numbers under this method are unequal: old yin (6) about 1/16, young yang (7) about 5/16, young yin (8) about 7/16, old yang (9) about 3/16.

《左傳》和《國語》記載了二十多則春秋時期的筮例,是研究早期《易》占實際應用的重要資料。The Zuozhuan and Guoyu record more than twenty cases of divination from the Spring and Autumn period, important material for studying how the Changes was actually used in early times.

金錢卦(擲錢法)The coin method

傳統做法是以三枚銅錢代替蓍草,每次擲出後按正反面數目定為 6、7、8、9 之一,擲六次由下而上得出一卦。此法較為簡便,唐宋以後在民間廣為流行。傳統上把此法歸於漢代京房,宋代流傳的《火珠林》一書即以擲錢配合「納甲」(把天干地支配入卦爻)來斷事,但其確切起源年代學界仍有不同意見。金錢卦得出 6、7、8、9 的概率分別為 1/8、3/8、3/8、1/8,與蓍草法不同。Traditionally, three bronze coins replace the yarrow stalks; after each toss, the number of heads and tails determines one of 6, 7, 8 or 9, and six tosses from the bottom up produce a hexagram. This simpler method became widespread among the populace after the Tang and Song. It is traditionally attributed to Jing Fang of the Han, and the Huozhulin, circulating in the Song, combined coin tossing with najia (assigning heavenly stems and earthly branches to the lines) to judge affairs, though scholars still disagree about its exact date of origin. The coin method yields 6, 7, 8 and 9 with probabilities of 1/8, 3/8, 3/8 and 1/8 respectively, different from the yarrow-stalk method.

其他Others

宋代以後還有以數字、時間起卦的「梅花易數」(託名邵雍)等方法,屬於後起的發展。From the Song onwards there were also methods such as the “Plum Blossom Numerology” (Meihua yishu, attributed to Shao Yong), which casts hexagrams from numbers and times — later developments.

出土文獻與現代研究Excavated Texts and Modern Research

六十四卦一覽表Table of the Sixty-Four Hexagrams

按今本(文王)卦序排列。全稱的讀法是「上卦之象+下卦之象+卦名」;上下卦相同者稱「某為某」。卦象符號使用 Unicode 易經六十四卦字元,如裝置字型不支援,可能顯示為方格。Arranged in the received (King Wen) order. The full name reads “image of upper trigram + image of lower trigram + hexagram name”; where the two trigrams are the same, it is called “X doubled”. The hexagram symbols use the Unicode Yijing hexagram characters; if your device’s fonts do not support them, they may appear as boxes.

序No.卦象Figure卦名Name全稱Full name上卦Upper trigram下卦Lower trigram
1䷀乾Qian — The Creative乾為天Heaven doubled: Qian乾(天)Qian (Heaven)乾(天)Qian (Heaven)
2䷁坤Kun — The Receptive坤為地Earth doubled: Kun坤(地)Kun (Earth)坤(地)Kun (Earth)
3䷂屯Zhun — Difficulty at the Beginning水雷屯Water over Thunder: Zhun坎(水)Kan (Water)震(雷)Zhen (Thunder)
4䷃蒙Meng — Youthful Folly山水蒙Mountain over Water: Meng艮(山)Gen (Mountain)坎(水)Kan (Water)
5䷄需Xu — Waiting水天需Water over Heaven: Xu坎(水)Kan (Water)乾(天)Qian (Heaven)
6䷅訟Song — Conflict天水訟Heaven over Water: Song乾(天)Qian (Heaven)坎(水)Kan (Water)
7䷆師Shi — The Army地水師Earth over Water: Shi坤(地)Kun (Earth)坎(水)Kan (Water)
8䷇比Bi — Holding Together水地比Water over Earth: Bi坎(水)Kan (Water)坤(地)Kun (Earth)
9䷈小畜Xiaoxu — Small Taming風天小畜Wind over Heaven: Xiaoxu巽(風)Xun (Wind)乾(天)Qian (Heaven)
10䷉履Lü — Treading天澤履Heaven over Lake: Lü乾(天)Qian (Heaven)兌(澤)Dui (Lake)
11䷊泰Tai — Peace地天泰Earth over Heaven: Tai坤(地)Kun (Earth)乾(天)Qian (Heaven)
12䷋否Pi — Standstill天地否Heaven over Earth: Pi乾(天)Qian (Heaven)坤(地)Kun (Earth)
13䷌同人Tongren — Fellowship天火同人Heaven over Fire: Tongren乾(天)Qian (Heaven)離(火)Li (Fire)
14䷍大有Dayou — Great Possession火天大有Fire over Heaven: Dayou離(火)Li (Fire)乾(天)Qian (Heaven)
15䷎謙Qian — Modesty地山謙Earth over Mountain: Qian坤(地)Kun (Earth)艮(山)Gen (Mountain)
16䷏豫Yu — Enthusiasm雷地豫Thunder over Earth: Yu震(雷)Zhen (Thunder)坤(地)Kun (Earth)
17䷐隨Sui — Following澤雷隨Lake over Thunder: Sui兌(澤)Dui (Lake)震(雷)Zhen (Thunder)
18䷑蠱Gu — Work on the Decayed山風蠱Mountain over Wind: Gu艮(山)Gen (Mountain)巽(風)Xun (Wind)
19䷒臨Lin — Approach地澤臨Earth over Lake: Lin坤(地)Kun (Earth)兌(澤)Dui (Lake)
20䷓觀Guan — Contemplation風地觀Wind over Earth: Guan巽(風)Xun (Wind)坤(地)Kun (Earth)
21䷔噬嗑Shihe — Biting Through火雷噬嗑Fire over Thunder: Shihe離(火)Li (Fire)震(雷)Zhen (Thunder)
22䷕賁Bi — Grace山火賁Mountain over Fire: Bi艮(山)Gen (Mountain)離(火)Li (Fire)
23䷖剝Bo — Splitting Apart山地剝Mountain over Earth: Bo艮(山)Gen (Mountain)坤(地)Kun (Earth)
24䷗復Fu — Return地雷復Earth over Thunder: Fu坤(地)Kun (Earth)震(雷)Zhen (Thunder)
25䷘無妄Wuwang — Innocence天雷無妄Heaven over Thunder: Wuwang乾(天)Qian (Heaven)震(雷)Zhen (Thunder)
26䷙大畜Daxu — Great Taming山天大畜Mountain over Heaven: Daxu艮(山)Gen (Mountain)乾(天)Qian (Heaven)
27䷚頤Yi — Nourishment山雷頤Mountain over Thunder: Yi艮(山)Gen (Mountain)震(雷)Zhen (Thunder)
28䷛大過Daguo — Great Exceeding澤風大過Lake over Wind: Daguo兌(澤)Dui (Lake)巽(風)Xun (Wind)
29䷜坎Kan — The Abysmal (Water)坎為水Water doubled: Kan坎(水)Kan (Water)坎(水)Kan (Water)
30䷝離Li — The Clinging (Fire)離為火Fire doubled: Li離(火)Li (Fire)離(火)Li (Fire)
31䷞咸Xian — Influence澤山咸Lake over Mountain: Xian兌(澤)Dui (Lake)艮(山)Gen (Mountain)
32䷟恆Heng — Duration雷風恆Thunder over Wind: Heng震(雷)Zhen (Thunder)巽(風)Xun (Wind)
33䷠遯Dun — Retreat天山遯Heaven over Mountain: Dun乾(天)Qian (Heaven)艮(山)Gen (Mountain)
34䷡大壯Dazhuang — Great Power雷天大壯Thunder over Heaven: Dazhuang震(雷)Zhen (Thunder)乾(天)Qian (Heaven)
35䷢晉Jin — Progress火地晉Fire over Earth: Jin離(火)Li (Fire)坤(地)Kun (Earth)
36䷣明夷Mingyi — Darkening of the Light地火明夷Earth over Fire: Mingyi坤(地)Kun (Earth)離(火)Li (Fire)
37䷤家人Jiaren — The Family風火家人Wind over Fire: Jiaren巽(風)Xun (Wind)離(火)Li (Fire)
38䷥睽Kui — Opposition火澤睽Fire over Lake: Kui離(火)Li (Fire)兌(澤)Dui (Lake)
39䷦蹇Jian — Obstruction水山蹇Water over Mountain: Jian坎(水)Kan (Water)艮(山)Gen (Mountain)
40䷧解Jie — Deliverance雷水解Thunder over Water: Jie震(雷)Zhen (Thunder)坎(水)Kan (Water)
41䷨損Sun — Decrease山澤損Mountain over Lake: Sun艮(山)Gen (Mountain)兌(澤)Dui (Lake)
42䷩益Yi — Increase風雷益Wind over Thunder: Yi巽(風)Xun (Wind)震(雷)Zhen (Thunder)
43䷪夬Guai — Breakthrough澤天夬Lake over Heaven: Guai兌(澤)Dui (Lake)乾(天)Qian (Heaven)
44䷫姤Gou — Coming to Meet天風姤Heaven over Wind: Gou乾(天)Qian (Heaven)巽(風)Xun (Wind)
45䷬萃Cui — Gathering Together澤地萃Lake over Earth: Cui兌(澤)Dui (Lake)坤(地)Kun (Earth)
46䷭升Sheng — Pushing Upward地風升Earth over Wind: Sheng坤(地)Kun (Earth)巽(風)Xun (Wind)
47䷮困Kun — Oppression澤水困Lake over Water: Kun兌(澤)Dui (Lake)坎(水)Kan (Water)
48䷯井Jing — The Well水風井Water over Wind: Jing坎(水)Kan (Water)巽(風)Xun (Wind)
49䷰革Ge — Revolution澤火革Lake over Fire: Ge兌(澤)Dui (Lake)離(火)Li (Fire)
50䷱鼎Ding — The Cauldron火風鼎Fire over Wind: Ding離(火)Li (Fire)巽(風)Xun (Wind)
51䷲震Zhen — The Arousing (Thunder)震為雷Thunder doubled: Zhen震(雷)Zhen (Thunder)震(雷)Zhen (Thunder)
52䷳艮Gen — Keeping Still (Mountain)艮為山Mountain doubled: Gen艮(山)Gen (Mountain)艮(山)Gen (Mountain)
53䷴漸Jian — Gradual Progress風山漸Wind over Mountain: Jian巽(風)Xun (Wind)艮(山)Gen (Mountain)
54䷵歸妹Guimei — The Marrying Maiden雷澤歸妹Thunder over Lake: Guimei震(雷)Zhen (Thunder)兌(澤)Dui (Lake)
55䷶豐Feng — Abundance雷火豐Thunder over Fire: Feng震(雷)Zhen (Thunder)離(火)Li (Fire)
56䷷旅Lü — The Wanderer火山旅Fire over Mountain: Lü離(火)Li (Fire)艮(山)Gen (Mountain)
57䷸巽Xun — The Gentle (Wind)巽為風Wind doubled: Xun巽(風)Xun (Wind)巽(風)Xun (Wind)
58䷹兌Dui — The Joyous (Lake)兌為澤Lake doubled: Dui兌(澤)Dui (Lake)兌(澤)Dui (Lake)
59䷺渙Huan — Dispersion風水渙Wind over Water: Huan巽(風)Xun (Wind)坎(水)Kan (Water)
60䷻節Jie — Limitation水澤節Water over Lake: Jie坎(水)Kan (Water)兌(澤)Dui (Lake)
61䷼中孚Zhongfu — Inner Truth風澤中孚Wind over Lake: Zhongfu巽(風)Xun (Wind)兌(澤)Dui (Lake)
62䷽小過Xiaoguo — Small Exceeding雷山小過Thunder over Mountain: Xiaoguo震(雷)Zhen (Thunder)艮(山)Gen (Mountain)
63䷾既濟Jiji — After Completion水火既濟Water over Fire: Jiji坎(水)Kan (Water)離(火)Li (Fire)
64䷿未濟Weiji — Before Completion火水未濟Fire over Water: Weiji離(火)Li (Fire)坎(水)Kan (Water)

參考資料References

  1. 朱熹《周易本義》。(通行本:中華書局點校本,2009。)Zhu Xi, Zhouyi benyi (The Original Meaning of the Zhouyi). (Standard edition: Zhonghua Shuju punctuated edition, 2009.)
  2. 朱熹《易學啟蒙》。(收入《朱子全書》,上海古籍出版社、安徽教育出版社,2002。)Zhu Xi, Yixue qimeng (Introduction to the Study of the Changes). (In Zhuzi quanshu, Shanghai Guji Chubanshe and Anhui Jiaoyu Chubanshe, 2002.)
  3. 高亨《周易古經今注》。上海:開明書店,1947;中華書局重訂本,1984。Gao Heng, Zhouyi gujing jinzhu (A Modern Commentary on the Ancient Classic of the Zhouyi). Shanghai: Kaiming Shudian, 1947; revised edition, Zhonghua Shuju, 1984.
  4. 李學勤《周易溯源》。成都:巴蜀書社,2006。Li Xueqin, Zhouyi suyuan (Tracing the Origins of the Zhouyi). Chengdu: Bashu Shushe, 2006.
  5. 朱伯崑《易學哲學史》(四卷本)。北京:華夏出版社,1995。Zhu Bokun, Yixue zhexue shi (A History of the Philosophy of Yijing Studies), 4 vols. Beijing: Huaxia Chubanshe, 1995.
  6. Richard Wilhelm, The I Ching or Book of Changes, trans. Cary F. Baynes. Bollingen Series XIX. New York: Pantheon Books, 1950; 3rd ed., Princeton: Princeton University Press, 1967.
  7. Richard John Lynn, The Classic of Changes: A New Translation of the I Ching as Interpreted by Wang Bi. New York: Columbia University Press, 1994.
  8. Richard J. Smith, Fathoming the Cosmos and Ordering the World: The Yijing (I Ching, or Classic of Changes) and Its Evolution in China. Charlottesville: University of Virginia Press, 2008.
  9. Edward L. Shaughnessy, Unearthing the Changes: Recently Discovered Manuscripts of the Yi Jing (I Ching) and Related Texts. New York: Columbia University Press, 2014.
  10. Kidder Smith Jr., Peter K. Bol, Joseph A. Adler, and Don J. Wyatt, Sung Dynasty Uses of the I Ching. Princeton: Princeton University Press, 1990.